कलियुग انتفاضة
the-princess-lorelei:

Berlin, 1945.

the-princess-lorelei:

Berlin, 1945.

During the 1970s and ’80s there was an enormous split in Germany between the generations, and there was an enormous amount of intergenerational hatred, and far-Left terrorism grew out of that: a rebellion against everything German, a rebellion against everything that had gone before, a destruction and a hostility towards everything that was prior. You had very great oddities, though because some of these revolutionary Left groups ended up fighting against Israel with the Palestinians: fanatically anti-Zionist but would kill anyone for a scintilla of what they deemed anti-Semitism. So you get these strange combinations as you always do within a crucible of history.

But nevertheless, the extraordinary damage psychologically and sort of intestinally, that was done to modern Germany by the self-hatred and loathing that has been institutionalized there as a result of the discourse of the Shoah, is incalculable.

The Jewish-American novelist Norman Mailer said that the real victims of the Second World War were the Germans. A revolutionary statement, and in many ways a truthful one. What he means by that is that the people have been partly spiritually destroyed, morally destroyed.

Because before you take a structure down, you take it down spiritually and morally and in terms of its ethical sense of itself. You take down that which is above the top consciousness of the rational mind. You take down that which leads to a morally efficacious sense of self. If you grew up believing that you’re descended from murderers and your nationality is worthless, and the most extreme form that your nationality took has no value—and even the communist states have an element of that—you will end up with a self-loathing population as Benoist has described it, which characterizes a large number of Western individuals at the present time.

It’s a sort of moral and psychological form of cancer.

Jonathan Bowden (via someofmybestfriendsarewhite)
slojnotak:

Ivan Konstantinovich Aivazovsky - Icebergs in Antarctica (1870)

slojnotak:

Ivan Konstantinovich Aivazovsky - Icebergs in Antarctica (1870)

uromancy:

Theodore Bohnenberger. Jugend, 1938

uromancy:

Theodore Bohnenberger. Jugend, 1938

fletchingarrows:


The Ocean, 1929, Frederick Judd Waugh

waves like this always remind me of the end of the last unicorn

fletchingarrows:

The Ocean, 1929, Frederick Judd Waugh

waves like this always remind me of the end of the last unicorn